Oil Painting Series

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- Morisot Berthe (French 1841-1895)

The cradle

Other famous paintings from Morisot Berthe (French 1841-1895):

• The lecture

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- James Tissot (French 1836-1902)

A fete day at brighton

Other famous paintings from James Tissot (French 1836-1902):

• A little nimrod
• A luncheon
• A passing storm
• A widow

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- Emile Munier ( French 1840-1895)

Mother and child

Other famous paintings from Emile Munier ( French 1840-1895):

• Pardon mama
• Playing with the kitten
• Reading lesson
• Sugar and Spice

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- Lewis John Frederick ( British 1805-1876)

Life in Constantinople

Other famous paintings from Lewis John Frederick ( British 1805-1876):

• Life in the Hareem Cairo
• Morque of Ghorreyah Cairo
• The door of a cafe in Cairo
• The midday meal Cairo

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- Giovanni Boldini (Italian 1842-1931)

Madame EL Doyen

Other famous paintings from Giovanni Boldini (Italian 1842-1931):

• Madame Rejane
• Peaceful days

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Euro ( Nature_Scenes )

Nature_Scenes647

Other paintings available ( Nature_Scenes 648, 685, 774, 775 ):

• Nature_Scenes 648
• Nature_Scenes 685
• Nature_Scenes 774
• Nature_Scenes 775

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ls (1892-1893), Horta not only revealed the structural column that supports the second floor, but transformed its cast-iron form into a plantlike stem that terminates in a burst of intertwined tendrils as it connects with other structural elements. Similarly, French designer Hector Guimard designed entrances for the Metro stations in Paris (1898-1901) using simple metigners simultaneously rejected traditional styles in favor of new, organic forms that emphasized humanity’s connection to nature. As art nouveau designers erased the barrier between fine arts and applied arts, they applied good design to all aspects of living—from architecture to silverware to painting. In this integrated approach art nouveau had its deep

Euro ( Landscapes )

Landscapes1106

Other paintings available ( Landscapes 1110, 1114, 1124, 1125 ):

• Landscapes 1110
• Landscapes 1114
• Landscapes 1124
• Landscapes 1125

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ionstil (secession style). Hoffmann utilized traditional building materials—marble, glass, and bronze—but arranged the building around an unconventional, asymmetrical entrance. Outlining the sober marble exterior walls are delicate bronze latticework and edging, which suggest an almost playful quality. There is no historical reh;marble, glass, and bronze—but arranged the building around an unconventional, asymmetrical entrance. Outlining the sober marble exterior walls are delicate bronze latticework and edging, which suggest an almost playful quality. There is no historical reference here, only an elegant, simplified form.The art nouveau movement in Spain is best exemplified in the work of Barcelona architect Antoni Gaudi y Cornet, whose designs represent a highly personal response to the art nouveau ideas of his time. Gaudi created one of his most eccentric works in the Templo Expiatorio de la Sagrada Familia (Church of the Holy Family, begun in 1883, construction ongoing) in Barcelona. Dominated by four disproportionately tall spires, the church appears to be a fantastical outgrow

Sunshine ( Animals_Pets_Wildlife )

Animals_Pets_Wildlife1199

Other paintings available ( Animals_Pets_Wildlife 1200, 1201, 1202, 1203 ):

• Animals_Pets_Wildlife 1200
• Animals_Pets_Wildlife 1201
• Animals_Pets_Wildlife 1202
• Animals_Pets_Wildlife 1203

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ty of glassware decorated with leaves, vines, and flowers. He fused layers of different colored glass and then cut designs into the glass to reveal the color he wanted, a technique that also added greater depth to the design. Alphonse Mucha made similar contributions to the development of art nouveau poster design. Born in Czechoslovakia, Mucha worked in Paris as a graphic artist and interior designer. His posters epitomize art nouveau graphic design with their elaborately stylized natural forms, fluid curvinmplex (1905-1907, Barcelona), Gaudi created the illusion of a limestone reef hollowed out by centuries of seawater. Although the entire complex was executed in cut stone, there is not one straight line in the facade. In the United States, art nouveau evolved naturally from the craft tradition of the early 19th century. American furniture, glass, metalwork, and jewelry had long been adapted