Oil Painting Series

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Euro ( Portrait_Female )

Portrait_Female279

Other paintings available ( Portrait_Female 323, 348, 361, 365 ):

• Portrait_Female 323
• Portrait_Female 348
• Portrait_Female 361
• Portrait_Female 365

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Euro ( Still_Life_Ceramic_Pottery )

Still_Life_Ceramic_Pottery344

Other paintings available ( Still_Life_Ceramic_Pottery 384, 387, 388, 389 ):

• Still_Life_Ceramic_Pottery 384
• Still_Life_Ceramic_Pottery 387
• Still_Life_Ceramic_Pottery 388
• Still_Life_Ceramic_Pottery 389

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Euro ( Abstract_Modern_Art )

Abstract_Modern_Art215

Other paintings available ( Abstract_Modern_Art 218, 224, 228, 299 ):

• Abstract_Modern_Art 218
• Abstract_Modern_Art 224
• Abstract_Modern_Art 228
• Abstract_Modern_Art 299

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Still Life of fruit and macaws ( Balthasar van der Ast (Dutch 1593-1657) )

Still Life of fruit and macaws

Other famous paintings from Balthasar van der Ast (Dutch 1593-1657):

• Still life of roses irises tulips
• Still Life of roses tulips irises

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land and in Austria. Art nouveau embraced all forms of art and design: architecture, furniture, glassware, graphic design, jewelry, painting, pottery, metalwork, and textiles. This was a sharp contrast to the traditional separation of art into the distinct categories of fine art (painting and sculpture) and applied arts (ceramics, furniture, and other practical objects). The term art nouveau comes from an art gallery in Paris, France, called Matural forms. The glassware of Louis Comfort Tiffany probably constitutes the best-known American examples of art nouveau design. Using his patented Favrile glass (iridescent glass produced by exposing hot glass to metallic fumes), Tiffany designed stained glass windows, lamps, and a variety of other glass objects. The intense color, fluid organic forms, and innovative techniques incorporated in his designs positioned Tiffany as a leader in international art nouveau design. American architect Louis Sullivan also played an influential role in the creation of a new design vocabulary. Although Sullivan is most recognized for his development of the skyscraper, he also produced inventive art nouveau motifs for the ornamental detail

Broken watermelon ( James Peal (American 1749-1831) )

Broken watermelon

Other famous paintings from James Peal (American 1749-1831):

• Fruit
• Still life fruits
• Still life of balsam app
• Still Life of fruit

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gainst shoddy machine-made products that were flooding the English marketplace as the industrial revolution expanded. The arts and crafts movement also promoted a totally designed environment in which everything from wallpaper to silverware is made according to a unified design. British art nouveau designers of the 1890s in; Vienna, Austria; Prague, Czech Republic; and Budapest, Hungary. Art nouveau in Britain evolved out of the already established arts and crafts movement. Founded in 1861 by English designer William Morris, the arts and crafts movement emphasized the importance of handcrafted work. Morris’s devotion to handmade articles was a reaction against shoddy machine-made products that were flooding the English marketplace as the industrial revolution expanded. The arts and crafts movement also promoted a totally designed environment in which everything from wallp

The sketchers ( John Singer Sargent (American1856- 1925) )

The sketchers

Other famous paintings from John Singer Sargent (American1856- 1925):

• View of Capri
• Violet

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nd 1930s. Although the stylistic elements of art nouveau evolved into the simpler, streamlined forms of modernism, the fundamental art nouveau concept of a thoroughly integrated environment remains an important part of contemporary design. Rubin, Reuvin (1893-1974), Israeli artist of Romanian birth, one of the pioneers of Israeli art. His style was both open to international influences and uniquely concerned with the people, customs, and especly revealed the structural column that supports the second floor, but transformed its cast-iron form into a plantlike stem that terminates in a burst of intertwined tendrils as it connects with other structural elements. Similarly, French designer Hector Guimard designed entrances for the Metro stations in Paris (1898-1901) using simple metal and glas

A young woman ( James Tissot (French 1836-1902) )

A young woman

Other famous paintings from James Tissot (French 1836-1902):

• At the rifle range
• Boarding the yacht
• Childrens party
• Chrysanthemums

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ed environment in which everything from wallpaper to silverware is made according to a unified design. British art nouveau designers of the 1890s shared Morris’s dedication to hand-crafted work and integrated designs. To these principles they added new forms and materials, establishing the aesthetic of the art nouveau style. One of the earliest examples of art nouveau in England is a chair designed in 1882 by British architect Arthur Mackmurdo, which exhibits the curving lines associated with the style. Likewise, the fabric designs of Arthur Lasenby Liberty, who opened a shop called Liberty & Co. in 18his through an increasing simplification of form. Rather than embracing the writhing organic forms of Endell or Obrist in Munich, Viennese artists moved towards the restrained geometric designs exemplified by the work of Charles Rennie Mackintosh. A case in point is the Palais Stoclet (1905-1911) in Brussels, designed by Viennese architect Josef Hoffmann. This residence summarizes succinctly what had become known in Vienna as Sezessionstil (secession style). Hoffmann utilized traditional building materials—marble, glass, and bronze—but arranged the building around an unconventional, asymmetrical entrance. Outlining the sober marble exterior walls are delicate bronze latticework and edging, which suggest

Harmony ( Cabanel Alexandre (French 1823-1889) )

Harmony

Other famous paintings from Cabanel Alexandre (French 1823-1889):

• La Comtesse de Keller
• Nymphe et Satyr
• Ophelia
• Paige

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peaking cities, the most prominent of which were Munich, Darmstadt, and Weimar in Germany, and Vienna in Austria. Known as Jugendstil (German for “youth style”), art nouveau was promoted in Munich through periodicals such as Die Jugend (The Youth). At the head of Munich’s Jugendstil movement was Hermann Obrist, a Swiss designer who created a sensation with an exhibition of his embroidery in 1896. Not only did this exhibit challenge the separation between fine and applied arts, but it also introduced the Munich public to the lively organic forms of art nouveau. Obrist’s designs, although based on natural forms,writhing organic forms of Endell or Obrist in Munich, Viennese artists moved towards the restrained geometric designs exemplified by the work of Charles Rennie Mackintosh. A case in point is the Palais Stoclet (1905-1911) in Brussels, designed by Viennese architect Josef Hoffmann. This residence summarizes succinctly what had become known in Vienna as Sezessionstil (secession style). Hoffmann utilized traditional building materials—marble, glass, and bronze—but arranged the building around an unconventional, asymmetrical entrance. Outlining the sober marble exterior walls are delicate bronze latticework and edging, which suggest an almost playful quality. There is no historical reference here, only an elegant,