Painting (Series: Animals_Pets_Wildlife - 1226)
Archive ( Animals_Pets_Wildlife )
Other paintings available ( Animals_Pets_Wildlife 1227, 1228, 1229, 1230 ):
- Animals_Pets_Wildlife Oil Painting 1227
- Animals_Pets_Wildlife Oil Painting 1228
- Animals_Pets_Wildlife Oil Painting 1229
- Animals_Pets_Wildlife Oil Painting 1230
N-1893), Horta not only revealed the structural column that supports the second floor, but transformed its cast-iron form into a plantlike stem that terminates in a burst of intertwined tendrils as it connects with other structural elements. Similarly, French designer Hector Guimard designed entrances for the Metro stations in Paris (1898-1901) using simple metal and glass forms decorated with curvilinear wrought iron. These are especirk of Barcelona architect Antoni Gaudi y Cornet, whose designs represent a highly personal response to the art nouveau ideas of his time. Gaudi created one of his most eccentric works in the Templo Expiatorio de la Sagrada Familia (Church of the Holy Family, begun in 1883, constru.
Heau. Obrist’s designs, although based on natural forms, often evolved into mysterious shapes that suggest a fantasy world. The work of German architect August Endell shares this visionary quality. Endell sought to create intense, dynamic forms that would evoke a strong response in the viewer. His plaster relief sculpture for the exterior of Munich’s Elvira Photo Studio (1896-1897) does jus90-1891, St Louis, Missouri), Guaranty Building (1894-1895, Buffalo, New York), Carson Pirie Scott department store (1899-1904, Chicago, Illinois), and other structures. Whether in wrought iron or terra cotta, Sullivan’s ornamentation is based on plantlike forms and patterns of complex, interlock.
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