Painting (Series: Euro - 735)
Euro ( Still_Life_Fruit_Food )
Other paintings available ( Still_Life_Fruit_Food 744, 745, 746, 789 ):
- Still_Life_Fruit_Food 744
- Still_Life_Fruit_Food 745
- Still_Life_Fruit_Food 746
- Still_Life_Fruit_Food 789
XHorta and Henry van de Velde. As did Mackintosh in Glasgow, these Belgian designers sought to create a new style, free from the historical references of prevailing traditions. They utilized standard wrought-iron and cast-iron technology, but employed it to create distinctly new forms. In the Hotel Tassel in Brussels (1892-1893), Horta not only revealed the structural column that supports the second floor, but transformed its cast-n a number of European countries, many of which developed their own names for the style. Art nouveau was known in France as style Guimard, after French designer Hector Guimard; in Italy as the stile floreale (floral style) or stile Liberty, after British art nouveau designer Arthur Lasenby Liberty; in Spain as modernisme; in Austria as Sezessionstil (secession style); and in Germany as .
Zennie Mackintosh. A case in point is the Palais Stoclet (1905-1911) in Brussels, designed by Viennese architect Josef Hoffmann. This residence summarizes succinctly what had become known in Vienna as Sezessionstil (secession style). Hoffmann utilized traditional building materials—marble, glass, and bn, including De Stijl, a Dutch design movement in the 1920s, and the German Bauhaus school in the 1920s and 1930s. Although the stylistic elements of art nouveau evolved into the simpler, streamlined forms of modernism, the fundamental art nouveau concept of a thoroughly integrated environment rema.
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