Painting (Series: Mediterranean - 84)
Archive ( Mediterranean )
Other paintings available ( Mediterranean 85, 96, 98, 104 ):
- Mediterranean Oil Painting 85
- Mediterranean Oil Painting 96
- Mediterranean Oil Painting 98
- Mediterranean Oil Painting 104
E introduced the Munich public to the lively organic forms of art nouveau. Obrist’s designs, although based on natural forms, often evolved into mysterious shapes that suggest a fantasy world. The work of German architect August Endell shares this visionary quality. Endell sought to create intense, dynamic forms that would evoke a strong response in the viewer. His plaster relief sculpture for the exter 1906-1909), he used contemporary materials in an elegant, angular style. The simple shapes of the brick and stone exterior clearly indicate the division of space within the building, while large expanses of glass provide a strong visual connection between the interior spaces and the outside world. Window mullions (dividers between panes of glass), doors, and fences use ironwork in an elegant linear or geometric ma.
Eian birth, one of the pioneers of Israeli art. His style was both open to international influences and uniquely concerned with the people, customs, and especially the landscape of his adopted country. Rubin’s eager acceptance of its character and its people, both Arab and Jewish, ht. Rubin’s work can be categorized as postimpressionist ( see postimpressionism). His first influence was Swiss artist Ferdinand Hodler, but later, under the influence of French artists Henri Matisse, Raoul Dufy, and especially Henri Rousseau, his work began to display a new freedom and playful romanticism. These tendencies are evident in Rubin’s The Family (1927, .
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